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Contents: reflexion de respeto www indian hd xxx Tratamiento Visor de obras. The Academy, conceived as a kind of new university faculty with its rector, seal and privileges, delayed two years in celebrating its first festival -the first Jocs Florals Floral Games of Barcelona- on the 25th. March, As a matter of fact, the organization created by John I lasted for some twenty years, but the custom of holding poetic contests went on uninterruptedly in the fifteenth and sixteenth centuries and lasted into the seventeenth.
Such contests were held in connection with religious festivals, and were frequent in Valencia. A very important one was the Marian contest, which produced the first incunabula in the Catalan language: Obres e trobes When the Renaixença began there were many who did not realize it. Others had no faith in its success; it was merely a little flame glowing in the darkness. From the other side of the Alberes Eastern Pyrenees Josep Bonafont was the first to take part in the contest. The Jocs Florals were attended not only by poets from all Catalan-speaking lands but also by those of all artistic tendencies.
Aguiló and Milà, votaries of the treasure of the ancient literature and folklore, the former with a profound and enthusiastic feeling for his own language, and the latter in a more universal and critical manner, saved the Jocs Florals on the one hand from falling into a too erudite, antiquarian and academic rhetoric, and on the other from being wrecked on the reefs of popular ingenuousness.
For many years the annual compilation of the Jocs Florals -the only Catalan book thick enough to stand up by itself- was a yearly witness of the reality of the Renaixença. The review by the secretary speaks of the illustrious Catalans who have sunk into the grave, while from the presidential chair may be heard the voices of the outstanding personalities of Catalonia without any kind of exception.
And if And if we could gather the portraits of all the Queens of the Festival -leaving out there of them who were chosen for various good reasons: the Duchess of Montpensier, Queen Maria Cristina and Lluïsa Goldmann de Fastenrath - what a gallery we should have of Catalan matrons and maids caught at the moment of their greatest beauty and grave. We should now have been able to admire the numerous and changing incarnations of the Catalan womanhood of those times -slender but with curves, calm eyes and skin- the lovely image of our eternal Catalonia. At the beginning of the new century, though the Jocs Florals continued faithful to their tradition, the spirit of the public had changed.
The poems had to be of high quality, and the festival thrilled with patriotic fervour. It was, in fact, an incident connected with the flag that, after forty-there Festivals held in normal circumstances and amid growing enthusiasm, prevented the holding of the forty-fourth a few minutes before it was due to begin. The first period of the Jocs Florals was over. There, outside Spain but inside Catalonia, the gathering was held in , being presided over by Francesc Matheu.
In they were given fraternal hospitality by Toulouse in Languedoc, and in the following years there were contests before judges and proclamations of the queens held clandestinely in small private meetings without any celebrations. The only evidente of the Jocs was the appearance of the annual publication.
In there was a resurrection and triumphal outburst, which, however, was of short duration. The last Jocs Florals of Barcelona were those of A few months later the civil war broke out. May, Catalonia was under arms, there was danger at the front and danger behind the lines. Catalonia fell under the fascist yoke and the public use of catalan was forbidden. The world is wide and not yet all vile. The year marked the beginning of a new incarnation in the life of the Jocs Florals.
Each festival of there wandering Jocs Florals had its own characteristics, which varied with the importante of the town where it was being held and the size and influence of the Catalan colony. Particularly notable was that of Toulouse of which it may be said that the city did not welcome the gathering, but celebrated it, so great was the part taken by the Town Council , that of San José de Costa Rica attended by the President of the Republic, Mr.
José Figueres Ferrer, whose father and mother were both Catalans and who made a speech in Catalan , and that of Mexico, to which this volume is devoted. All these Jocs Florals held in exile have one feature in common: their continual growth.
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They are not the principal festival of the Catalans in one city or one country that happens to be their host; they are a sort of eisteddfod of all Catalans -that is, of all those who speak Catalan- dispersed throughout the world. And -more valuable still- they are a link between those inside and those outside. Each year, now on one side of the Atlantic and now on the other, the Jocs Florals of the Catalan language send a cry of hope over the walls of despotism, misrepresentation and vandalism From Mallorca, from Valencia, from Catalonia, poets and prose writers respond as if they all bore in the depths of their hearts those lines by Maragall:.
Some day -though he who would venture to name it now would be a braggart- the Jocs Florals will return to Barcelona. They were born in the Saló de Cent in the Town Hall. Since that time they have been held in many different halls in America and Europe. When freedom is reborn the Jocs Florals will return to their own home, veterans, but rejuvenated by their long travels.
The new prestige they have won throughout the years of adversity by having maintained the cult of the language and the solidarity of all those who speak it will, we must hope, earn for the Jocs Florals the gratitude of those Catalans who do not forget. Els tres premis tradicionals, corresponents als tres mots inspiradors dels Jocs Florals de Barcelona -Pàtria, Fides, Amor- seran lliurats, respectivament, al millor poema premiat en cada una de les tres ordres. Accèssit, cinc-cents pesos mexicans.
Premi dotat amb mil pesos mexicans. Premi dotat amb mil cinc-cents pesos mexicans. En seguiment del costum antic, qui haurà guanyat la Flor Natural en farà ofrena a la dama de la seva elecció, la qual, proclamada Reina de la Festa, lliurarà els altres premis als qui en seran guanyadors. Dotat amb set mil cruzeiros. Premi Casal de Catalunya de París , a un treball de tema lliure.
Dotat amb cinc mil francs francesos. Premi Casal Català de Tolosa del Llenguador , a la millor poesia que enalteixi el patriotisme català. Dotat amb quatre-cents pesos argentins per joventut Catalana de Buenos Aires. Premi Ignasi Iglésias , a la millor obra de teatre català que es presenti a concurs, inèdita o bé representada o publicada des del primer de gener de Dotat amb mil pesos argentins pel Casal de Catalunya de Buenos Aires.
Premi Roure-Torent , al millor recull de contes o llegendes. Dotat amb cinc-cents pesos mexicans per la Institució de Cultura Catalana de Mèxic. Premi Enric Martí Muntaner , a la millor narració o conte, o conjunt de contes o narracions, sobre temes americans. Premi Pau Casals , a una composició musical de tema lliure. Dotat amb mil pesos mexicans pel Centre Català de Guadalajara, Jal. Premi Mestre Nicolau , a una composició musical, preferentment sardana. Dotat amb cinc-cents pesos argentins pel Centre Català de Mendoza Argentina.
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Dotat amb cent pesos, moneda uruguaia, pel Casal Català de Montevideo. Dotat amb cinc-cents pesos mexicans pel Consell Nacional Català. Dotat amb cinc-cents pesos mexicans per Esquerra Republicana de Catalunya a Mèxic. Dotat amb dos mil pesos mexicans pels senyors Josep i Jeroni Bertran Cusiné. Aquest premi és indivisible. Un exemplar del treball premiat haurà de ser lliurat als donadors, els quals podran publicar-lo. Dotat amb vint-i-cinc mil francs francesos.
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